You and your big sister Sequoia have been around before the word DAW was mainstream. I was working in Samplitude since V7 and enjoyed it as a DAW great for recording and editing acoustic music, mastering etc.Can Magix bring more than a one-trick pony to the show with Samplitude Pro X3? Having Macbook Pro as an occasional mobile recording or editing studio, I was quite awaiting the final release of Samplitude Mac version (as being announced for 3 years). Recently I was looking for some OSX DAW for simple recording options.īootcamp Windows on MBP is quite an uncomfortable solution. Tried Logic (horrible) and then remembered Reaper, tried it and it was ok. Then friend of mine who has been working in Reaper for more than 5 years, enthusiastically showed me so many options, possibilities, workflows etc. So many things that I missed in Samplitude were so easy here, other things that were rather a hurdle race in Samplitude, were even easier and what was quite fascinating was the possibility to customise and personalise almost everything up to one's wish and idea. Everything so complex with other thousands options and at the same time very simple and straightforward.Īnother thing - a big session: Samplitude struggling with 60% CPU (with occasional spikes to 200%) with its infamous "lost ASIO buffers" drops (that keep going on for so many years on any kind of computer), Reaper just comfortably 5%. #Magix samplitude pro x2 review fullįull Waves bundle) Reaper 20 sec., Samplitude 10 min (I am not kidding). So slowly the idea to have some simple OSX recording DAW changed in the revolution in my studio and I am upgrading the DAW after so many years.
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